Mamma Mia The Musical - Review - Bournemouth Pavillion

As a musical theatre fan, it genuinely shocks me that it has taken me this long to see MAMMA MIA! Having premiered in London's West End in 1999, the show has now been delighting audiences for 27 years and has firmly cemented its place as one of the longest-running musicals in West End history. Featuring the timeless music of ABBA, it has captivated audiences across the globe ever since its debut, and after finally seeing it for myself at Bournemouth Pavilion, I completely understand why.

From the opening moments until the final encore, MAMMA MIA! is simply joyous.

For anyone unfamiliar with the story, it centres around Sophie, a young woman preparing for her wedding. Desperate for her father to walk her down the aisle, she secretly reads her mother's old diary and discovers there are three possible candidates. Without Donna's knowledge, she invites all three men to the wedding, setting in motion a wonderfully chaotic chain of events as everyone tries to keep the surprise hidden.

Having already become a hugely successful film franchise, I knew the basic story before arriving. However, seeing it performed live made me appreciate just how cleverly the songs have been woven into the narrative. Rather than feeling like a jukebox musical, every number feels as though it was written specifically for these characters and this story.

The cast were phenomenal throughout, with not a single weak link.

The comedy was equally impressive. The cast members responsible for much of the show's humour demonstrated impeccable comic timing, with every joke landing effortlessly.

Mark Goldthorp  as Bill had the audience in stitches from the moment he stepped onto the stage. Every line was delivered with perfect timing, creating one of the funniest performances of the evening.

Meanwhile, Luke Jasztal as Sam—a role many will instantly associate with Pierce Brosnan from the film—was a real standout. From where I was sitting, not only did he bear an uncanny resemblance to Brosnan, but his speaking voice was remarkably similar too. Thankfully, his singing was on an entirely different level, delivering every song with warmth, power and confidence.

The staging deserves enormous credit. At first glance it appears deceptively simple, centred around two large walls that effortlessly transform into Donna's taverna, bedrooms, the beach and various other locations. The clever design allows the story to flow seamlessly without ever feeling sparse, proving that effective theatre doesn't always need elaborate scenery.

The choreography was another highlight. I don't think I've ever seen quite so many people dancing on stage at once, yet every movement felt precise and purposeful. The ensemble brought endless energy to every musical number, creating an atmosphere that perfectly captured the carefree spirit of a Greek island holiday.

There were so many standout moments throughout the evening. "Does Your Mother Know" was an absolute showstopper.

Sarah Earnshaw as Tanya delivered a hilarious, confident and wonderfully empowering performance that had the audience roaring with laughter.

Another unforgettable moment came during the number featuring the men performing in flippers—a brilliantly absurd sequence that perfectly showcased the show's playful sense of humour.

"Take a Chance on Me" was another comedic masterclass.

Mark Goldthorp as Bill and Rosie Glossop as Rosie bounced off one another perfectly, with flawless comic timing, fantastic choreography and wonderfully expressive performances that made it one of the funniest scenes in the entire production.

One thing that struck me throughout the evening was just how much joy radiated from both the stage and the audience. Looking around, the auditorium was overwhelmingly filled with groups of women enjoying a night out together, and by the finale almost everybody was on their feet, singing, dancing and celebrating alongside the cast.

It's easy to see why MAMMA MIA! has stood the test of time. ABBA, who formed in 1972—more than 50 years ago—created a catalogue of songs that remain every bit as infectious today as when they were first released. The musical itself has since been translated into 16 languages and performed in more than 60 countries, reaching audiences in over 440 cities worldwide. Those are extraordinary achievements, but after finally experiencing it for myself, they make perfect sense.

This is one of those rare musicals that leaves you smiling from beginning to end. Whether you're a lifelong ABBA fan or somehow, like me, have never quite got around to seeing it, MAMMA MIA! is pure escapism, packed with unforgettable songs, infectious humour and a huge amount of heart.

MAMMA MIA! is at Bournemouth Pavilion Theatre until 2 August, and tickets are available via the Bournemouth Pavilion website. If you're looking for the perfect feel-good night at the theatre, I can't recommend it highly enough.


PHOTO CREDIT  Brinkhoff/Mögenburg

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